was going through a book (from: http://www.true-piano-lessons.com/piano-player.html), which I like.
There it is written:
There must be some logic behind it. What is it?
There it is written:
Within every major or minor scale, there are seven chords — one for each tone
of the scale, and numbered accordingly. As an example, if
you were to number and name the chords of the C-‐major
scale, you would get the following: the I-‐chord is C Major, the ii-‐chord is D Minor, the iii-‐chord
is E Minor, the IV-‐chord is F Major, the V-‐chord is G
Major, the vi-‐chord is A Minor, and the vii°-‐chord
is B Diminished. Every major scale has the same pattern of
major, minor, and diminished triads....
How
are these patterns decided? If I just start and play the major keys in
1-5-8 pattern I will just get all the major chords. As described below:
C
|
?
|
D
|
?
|
E
|
F
|
?
|
G
|
?
|
A
|
?
|
B
| |
C
|
*
|
*
|
*
| |||||||||
C#
|
*
|
*
|
*
| |||||||||
D
|
*
|
*
|
*
| |||||||||
D#
|
*
|
*
|
*
| |||||||||
E
|
*
|
*
|
*
| |||||||||
F
|
*
|
*
|
*
| |||||||||
F#
|
*
|
*
|
*
| |||||||||
G
|
*
|
*
|
*
| |||||||||
G#
|
*
|
*
|
*
| |||||||||
A
|
*
|
*
|
*
| |||||||||
A#
|
*
|
*
|
*
| |||||||||
B
|
*
|
*
|
*
| |||||||||
There must be some logic behind it. What is it?
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